During the burial (Act 5 Scene 1), Prince Hamlet comes across a gravedigger who stimulates his sentiments towards death with a love song. This compels Prince Hamlet towards revenging against the death of his father. At this time, when he encounters the queen and Laertes (Ophelia’s brother), he realizes who is being buried. Grief overcomes him and he leaps into the grave with Laertes where both begin to mourn and the king’s attendants pull them out of the grave. At this point, Prince Hamlet exclaims, "I loved Ophelia: Forty thousand brothers could not, with all their quantity of love, make up my sum” He can hold it no more and opts to leave the funeral. He is bewildered by Laertes inhumane reaction of hostility towards him. This Act shows Prince Hamlet’s extreme expression of feelings of love towards Ophelia. He cannot hold it anymore but he appears to be a victim of circumstances.
In conclusion, Prince Hamlet appears to have been affected by the people around him to the extent of sacrificing his love for Ophelia. There is a lot of dramatizing in his reactions to conceal what he really feels. the death of the father, death of Polonius , death of Ophelia and incest in the family are some of the circumstances that have influenced his feelings. he therefore goes to being an extremist in making his expressions to Ophelia. This ends up complicating Ophelias opinion and feedback feelings towards him.
His strange feelings would also have been caused by his mother’s betrayal to the extent that he can show Ophelia absolutely no affection. His suppressing feelings also appear to be a mystery to Ophelia yet King Claudius think Ophelia is the closest person who can understand him. His words are even bitter and rude even in the presence of Ophelia who he is madly in love with. The period of time that he does this is when he was angry with his uncle and this anger seems to be constantly increasing. We can therefore conclude that he truly loves Ophelia but his behavior and reactions are being complicated by his family’s background.
Ib. sc. 3. This scene must be regarded as one of Shakspeare's lyric movements in the play, and the skill with which it is interwoven with the dramatic parts is peculiarly an excellence of our poet. You experience the sensation of a pause without the sense of a stop. You will observe in Ophelia's short and general answer to the long speech of Laertes the natural carelessness of innocence, which cannot think such a code of cautions and prudences necessary to its own preservation.
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When Ophelia for the first time learns that Prince Hamlet has feelings for her, she is frightened. She therefore rejects that she loves him. The description that she makes of how Prince Hamlet handles her reveals to some extent Hamlet may be having some degree of a mental problem. However, even so we can clearly see Hamlet’s strong feelings for Ophelia. We cannot conclude with certainty that these are actions of madness because to Hamlet it may be the expression of the love (which may not be how Ophelia defines love) he has towards Ophelia.
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Demented by grief at Polonius's death, Ophelia wanders Elsinore. Laertes arrives back from France, enraged by his father's death and his sister's madness. Claudius convinces Laertes that Hamlet is solely responsible, but a letter soon arrives indicating that Hamlet has returned to Denmark, foiling Claudius's plan. Claudius switches tactics, proposing a fencing match between Laertes and Hamlet to settle their differences. Laertes will be given a poison-tipped foil, and Claudius will offer Hamlet poisoned wine as a congratulation if that fails. Gertrude interrupts to report that Ophelia has drowned, though it is unclear whether it was suicide or an accident exacerbated by her madness.
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Polonius forces Ophelia to return Hamlet's love letters and tokens of affection to the prince while he and Claudius watch from afar to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance, musing whether "". When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery," though it is unclear whether this, too, is a show of madness or genuine distress. His reaction convinces Claudius that Hamlet is not mad for love. Shortly thereafter, the court assembles to watch the play Hamlet has commissioned. After seeing the murdered by his rival pouring poison in his ear, Claudius abruptly rises and runs from the room: proof positive for Hamlet of his uncle's guilt.